Alexander Phemister designed the Bookman font. It was originally called Old Style Antique, in 1858 for the Miller and Richard foundry in Edinburgh, Scotland. It has been widely used in various print and digital media, including books, advertisements, and websites.
Its timeless appeal makes it a popular choice for designers seeking a traditional yet versatile font. It is clear and legible characters make it ideal for printed materials such as books, magazines, and newspapers.
Its classic serif design enhances readability, providing a comfortable reading experience for extended texts.
Usage of Bookman Font
In web design, it adds a touch of sophistication to websites and digital publications. Its adaptability across various screen sizes ensures consistent presentation, making it suitable for headers, body text, and call-to-action elements.
The elegant appearance of this Font lends itself well to branding efforts, including logos, business cards, and promotional materials. Its professional look conveys trustworthiness and reliability, qualities essential for corporate identity.
View Image of Bookman Font
Font Info
Name | Bookman Font |
Designer | Alexander Phemister |
Style | Serif |
Type | Open Type & True Type |
Liscence | Free for Personal Use Only |
Similar Fonts to Bookman Font
- Baskerville Font
- Times New Roman Font
- Berlin Email Serif Font
- Garamond Font
- Palatino Font
- Georgia Font
- Final Fantasy Font
- ITC Cheltenham Font
- Sabon Font
- Perpetua Font
- Century Schoolbook Font
- Didot Font
- Adobe Caslon Font
FAQs!
What is the origin of the Bookman font?
It was originally known as Old Style Antique and was designed around 1869 by Alexander Phemister for the Miller & Richard foundry.
What are the key characteristics of the Bookman font?
This texture is recognized for its wide, legible design with minimal contrast in line width. It features a large x-height and short ascenders and descenders, making it appear more substantial on the page.
How has the Bookman texture evolved?
Throughout its history, it has undergone several revivals and adaptations. Notably, in 1975, Ed Benguiat redesigned it for the International Typeface Corporation (ITC), introducing a larger x-height and true italic styles with swash alternatives.